I’m also not so big on a main character who after falling in love with her “slave” becomes so overcome with guilt and shame at her sexual history that she practically can’t function and starts to drink herself silly. Call me old fashioned, but when I read BDSM erotica I want there to actually be some bite to the sex sense.

That doesn’t make it a bad read and it is quite thoughtful and insightful into human nature, but just isn’t up to snuff with the book’s opening or marketing. Once out of The Club all BDSM elements of the book practically disappear and its basically all vanilla sex and traditional love story from there on out. I watched on TV and was quite an amazing movie, worth to see and has some serious lessons to learn, and i'm not talking about the moral crap, i'm meaning about how to made a good TV drama.That’s where things start to go down hill. More than the usual moralistic and exploitational story that could have been (if made by american releasers), this is a heart-taking story of vulnerable human beings in a memorable story of love and passion. The story takes a big turn-on when Katharina realizes than she is pregnant from the young boy, then comes a whole new treatment of the story focused in her true love for Ben, (and few later, unleashing her husband and daughter's anger), and she made her decision. There are other good characters in the story, as Katharina's old friend in the theatre or the sexy, but cynical Melanie. The love scenes are candid and wonderfully made, and there is a lot of chemistry between both actors despite the actual ages of them. The teenage student Ben is still a bit one-sized but is well portrayed too, avoiding the stereotypes. The fragile balance of Katharina (Mitterhammer)'s family is very well shown with their lack of comunication that could happen to anyone, as her husband is a truly busy man more worried about his own proyects than his wife and The less-compassive and selfish daughter Jule, who does her part a strong element in the story. by now, seems like the same old and tired plot about the forbidden love between the mature teacher and her pupil, but this story has an mature and realistic treatment of the story and characters. Marion Mitterhammer plays a quite sympathetic and lovable character as an school teacher, happily married with a workhaholic architect, and mother of a conflictive teenage girl and a small, innocent boy but things change when she mets the usual rebel student, a serious problem teen who really has a superior sensibility. This is a very well done, far over-the-average drama made for TV, even better than many other american movies about the theme.

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